Benkler’s Theory of Layers
(Excerpt from A Balance of Benefits and Burdens: Academia in a Digital Copyright Context, 73-79)
© C. Mohrbacher 2003
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[C]ommunication infrastructure regulation should be focused on accentuating those attributes of digital information technology that make it a potential vehicle for achieving a broad distribution of access to, and participation in, the social processes of knowledge production (“Communications Infrastructure” 183-184)
~Yochai
To answer my research question, my methodology unpacks digital copyright regulation that affects educators and their students, as well as the digital regulation that shifts the balance of burdens and benefits to a regulatory environment favoring corporations over education. Yochai
Professor Yochai
As the digitally networked environment matures, regulatory choices abound that implicate whether the network will be one of peer users or one of active producers who serve a menu of prepackaged information goods to consumers whose role is limited to selecting from this menu. These choices occur at all levels of the information environment: the physical infrastructure layer—wires, cable, radio frequency spectrum—the logical infrastructure layer—software [and code]—and the content layer [images and text]. 562
Above,
In establishing a baseline from which to identify increasing control of digital access, Lawrence Lessig explains that, in the 70’s and 80’s, constraints came not from legal regulations, but rather from the limited number of available computers. In other words, the physical scarcity constrained an otherwise free code and content layer. Lessig describes this early digital environment:
The physical layer of the “computer-communications architecture was controlled; the very nature of its expense forced users to locate to the machines. Locating the machines in particular places made it easy to control access. The logic [or code layer] of the machine may have been open, but only those with permission were allowed in the “machine room.” And finally, while the source code for these machines may not have been controlled (content layer, open), the small number of these machines meant that the value of the open code was limited. Coding, and the creativity realized in coding, was dictated by this architecture that mandated control. (113)
I apply
· Physical Layer (or architecture)—controlled
· Code Layer (or logical layer)—free of regulation, but controlled by limited access to physical layer
· Content Layer (or text and images)—free of regulation, but controlled by limited access to physical layer
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A major concern for both
Lawrence Lessig appreciates the flexibility of
Table 1 Lessig’s Application of Benkler’s Theory of Layers
| Speakers’ Corner |
|
Telephone System |
Cable TV |
|
| Content |
Free |
Free |
Free |
Controlled |
| Code |
Free |
Free |
Controlled |
Controlled |
| Physical |
Free |
Controlled |
Controlled |
Controlled |
Source:
What is important to note here and what reveals itself in my DMCA analysis results in the next chapter is that increasing control appears in more layers as the technology becomes more sophisticated. The Speakers’ Corner, the first venue illustrated in Table 1, is a low-tech environment in
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Lessig explains that the digital environment is not as straightforward as the examples in Table 1 might suggest, in that “it mixes freedom with control at different layers” (25), especially at the code and content levels. Additionally, although
Another complicating aspect to this analysis is determining what DMCA restriction or regulation falls into which layer. For instance: Coded computer language is content, as well as code in that when it is applied to a portal, it is a code that allows or prevents passage to a site, but when someone takes the code apart in an act of reverse engineering, then modifies it in some way, the code can be classified as content or modified text. I was forced to consider how I would treat those regulations that constrain accessibility to more than one layer, as in the Gutenberg example above and how I would quantify or describe the amount of regulation. As to the first concern, I have simply chosen to describe the effects as primary or secondary and to explain the effect of one regulation of one layer on other layers in my analysis. As for my concern about quantification of results of my analysis of the DMCA, I have added my own interpretation of the impact on education the 70’s and 80’s baseline that Lawrence Lessig describes above, factoring in the burdens identified in my non-legal documents. Another quantification issue is how to measure the shift in balance of burdens and benefits provoked by the DMCA. Because the shift in the balance of burdens and benefits is an abstract concept, it is also unmeasurable, so I will simply offer my qualitative assessment, based on the analysis, to determine whether there is a shift.
My analysis is organized as the DMCA itself is organized in that I identify key regulations and restrictions identified as burdensome by my non-legal document analysis beginning with Title I and ending with Title V in each layer.[1] I begin with the content layer. Areas where regulations and restrictions indicate increased burdens or increased benefits to educators and their students are then categorized into the physical infrastructure, code, and or content layers according to Yochai
Because the Chapter 4 findings portend future trends, I transition into a Chapter 5 evaluation of recent legal challenges to the DMCA, which are apt indicators of where copyright law is heading. Chapter 5 also concludes with a brief discussion of the dialectical tension between the law, those who challenge the legislation, and trends in the balance of burdens and benefits between individuals and corporations, between audience and author, and between corporate concerns and academic concerns.
[1] Appendix V actually appears at the end of the DMCA and H.R. 2215 was actually passed a year after the passage of the DMCA, but I have included both in my Title IV analysis because Appendix V and H.R. 2215 address the same topic that appear in that title. That topic is Distance Education.