Scott
L. Miller
curriculum
vitae
BIOGRAPHY
Scott Miller is an award-winning composer of
electroacoustic, orchestral, chamber, choral and multimedia works frequently
performed at venues and presented in exhibitions throughout North America and
Europe. He is most widely known for his interactive electroacoustic chamber
music and his experimental performance pieces created in collaboration with
poet Philippe Costaglioli and video artist Ron Gregg. His music has been
recorded by ensembles such as Zeitgeist, Trio Montecino, and Wizards! on the
Innova, Eroica, and CRS labels. Miller is a Professor of Music at St. Cloud
State University, Minnesota, where he teaches composition, electroacoustic
music and music theory. He has lectured on electroacoustic music and
composition in universities and secondary schools across the United States,
Europe and Mexico. Miller holds degrees from The University of Minnesota, The
University of North Carolina - Chapel Hill and the State University of New York
at Oneonta, and has studied composition at the Czech-American Summer Music
Institute and the Centre de Creation Musicale Iannis Xenakis.
PRESENT POSITION
St. Cloud State University,
Saint Cloud MN
Professor of
Composition, Electroacoustic Music, and Music Theory 1993
to present
ADDITIONAL RELATED
EXPERIENCE
St. John's University,
Collegeville MN
Lecturer,
Composition and Music Theory 1998
University of Minnesota - Twin
Cities
Lecturer, Electronic
Music 1995
- 1996
Instructor,
Electronic Music 1994
EDUCATION
Ph.D., Music Theory and
Composition, The University of Minnesota 1994
Dissertation: Angel
of Progress II for MIDI enabled Clarinet and Disklavier Piano
Secondary Area of
Competency: Electronic Visual Media
First Prize,
University of Minnesota Orchestral Composition Competition 1994
Teaching Assistant,
Music Theory and Ear Training 1993
Teaching Assistant,
Electronic Music 1992
- 1993
University of
Minnesota Graduate School Fellow 1991
- 1992
M.M., Composition, The
University of North Carolina at Chapel Hill 1991
Thesis: Virgin of
the Sun for Chamber Orchestra
B.A., Music - Music Industry
emphasis, State University of New York at Oneonta 1988
PROFESSIONAL
DEVELOPMENT
Centre de Creation Musicale
Iannis Xenakis (CCMIX) Summer Intensive 2004
Pro Tools Certified Operator
Training (Post-Production) 2003
Zeitgeist/Composer Workshop 2002
Minnesota Dance
Alliance/Minnesota Composers Forum Choreographer-Composer Workshop 1995
Czech-American Summer Music
Institute, Prague, Czech Republic 1994,
1995
SELECTED HONORS,
AWARDS, and FELLOWSHIPS
American Composers Forum subito Grant 2006
Meet The Composer/Creative
Connections 2002,
2004, 2005
American Composers Forum
Performance Outreach Grant 2004
Central Minnesota Arts Board
Individual Artists Grant, Honorable Mention 2003
Jerome Foundation Composers
Commissioning Project 2002
McKnight Artist Fellowship for
Composition 2001
Minnesota State Arts Board
Artist Assistance Fellowship 2001
National Arts Associate, Sigma
Alpha Iota Music Fraternity 2001
PHI KAPPA PHI honor society 2000
MUSICA NOVA 98 International
Electroacoustic Music Competition, Honorable Mention (Cat. B) 1998
Central Minnesota Arts Board
Individual Artists Grant 1996
PI KAPPA LAMBDA
music honor society 1994
FESTIVALS and
EXHIBITIONS
Third Practice Festival,
University of Richmond, VA 2006
Fun
House
Livewire Electronic Music
Concert, University of Minnesota 2006
Some
Fabric and a Few Pieces of Bone
Mlde Podim Festival,
Pardubice, Czech Republic 2006
Chimera No. 2
American Composers Forum Sound
Check: New Music and Conversations at the Southern 2006
Fun
House
Society for Electroacoustic
Music in the U.S. (SEAMUS) 2006 National Conference 2006
Fun
House
Spark 2006 Festival of
Electronic Music and Art, University of Minnesota Arts Quarter 2006
Fun
House
Video Traverse Festival,
Toulouse, France 2005
Moving
In and Self Portrait
Women in Music Festival,
University of North Dakota 2005
Shape
Shifting
EXPRMNTL, Toulouse, France 2004
One month exhibition
with opening performance of My House is Your Breathing
Spark 2004 Festival of
Electronic Music and Art, University of Minnesota Arts Quarter 2004
Autumn
Etude
Walker Art Center/Minnesota
Artists Online Arts Advocacy Day 5 Minutes of Fame Web cast 2003
Tempest
and Last Words?
Walker Art Center/Minnesota
Artists Online 5 Minutes of Fame 2002
Tempest
and Last Words?
Digital Plus - New Works by
Bill Gorcica, Kiehle Gallery, Saint Cloud, MN 2002
Sarabanda,
Tempest
Annual Conference of the
College Music Society - Great Lakes Chapter, Northfield, MN 2002
Low
Hangs the Moon
Society for Electroacoustic
Music in the U.S. (SEAMUS) 2001 National Conference 2001
Chimera
"The Life and Times of
James Simmons III, a Creative Interpretation of his Personal Diaries" - 2000
an exhibition by
artist Rob Madgwick, Haslemere Educational Museum, Surrey, England
Variation
959 #1
Society for Electroacoustic
Music in the U.S. (SEAMUS) Y2K National Conference 2000
Dies
Sanctificatus
Navigations Festival of Dance
and Music, Old Arizona Emerging Artist Series 2000
Standing
Still at Sea
Sonic Circuits VII
International Festival of Electronic Music and Art, presented by the 1999
American Composers
Forum and the Walker Art Center, Landmark Center, St. Paul, MN
Eyes
and Ears
Brno International Festival -
12th Exposition of New Music, Brno, CZ 1999
Dies
Sanctificatus
Minnesota Dance Alliance
"Homebred!" Artists in Motion Series 1998
Indicate
What You Want and Solix,
performed by RIG
American Choir Festival,
Leipzig Neue Gewandhaus 1998
Dies
Sanctificatus
Third International Festival
of Contemporary Dance, Poland 1997
Solix
Minnesota Dance Alliance
Benefit Concert 1997
Solix
International Double Reed
Society Convention 1997
Time
is Vicious
C. Buell Lipa Festival of
Contemporary Music, Iowa State University 1996
Concertino
for Trombone, Winds and Percussion
International Trumpet Guild International
Brassfest 1995
Metal
Fatigue
21st Annual National Flute
Convention 1993
Angel
of Progress
SELECTED PRESENTATIONS
and INVITED LECTURES
Featured Composer, Mlde Podim
Festival, Pardubice, Czech Republic 2006
Spark Festival of Electronic
Music, University of Minnesota 2005
"Audible-Mobiles:
An Application of Ecosystemic Programming in Kyma," presented with
assistance of Pat O'Keefe, Bass Clarinet.
HAMU, Prague Academy of Music 2004
"My House is
Your Breathing: Orpheus the Acousmatic," co-presented with Philippe
Costaglioli.
Palacky University, Olomouc,
Czech Republic 2004
"My House is
Your Breathing: Orpheus the Acousmatic," co-presented with Philippe
Costaglioli.
Perpich Center for the Arts,
Golden Valley, MN - Guest Composer 2003
Hillsdale College, Hillsdale,
MI - Visiting Artist/Lecturer 2002
Society for Information Technology
and Teacher Education (SITE) 12th International Conference 2001
"Infusing
Technology Across Four Preservice Teacher Preparation Institutions in
Minnesota:
Method to our
Madness" co-presented with James Reineke (Winona State University).
Musical Intersections, Toronto
2000/College Music Society 43d Annual Meeting 2000
"Integrating
Preservice Teacher Education with Technology: A Work in Progress"
co-presented with Margaret Schmidt (St. Cloud State University)
Sixth Annual Technological
Directions in Music Learning International Convention, 1999
Institute for Music Research,
San Antonio, TX
"Using
Technology to Integrate Preservice Music Teacher Education: A Work in
Progress"
co-presented with
Margaret Schmidt (St. Cloud State University).
Sigma Alpha Iota Province
Day, St. Cloud State University 1998
"Electroacoustic
Music History and Aesthetics"
Northwestern University School
of Music Composers Colloquium - Guest Composer 1996
Minnesota Center for the Arts
- Guest Composer 1996
Carleton College, Northfield,
MN - Guest Composer 1996
Palacky University, Olomouc,
Czech Republic - Visiting Professor/Composer 1995
Leaf River Educational
District, MN 1994
"Electroacoustic
Music, Techniques and Educational Applications."
Minnesota Music Theory
Consortium conference 1993
"Multimedia Art
History and Aesthetics."
PROJECT MANAGEMENT,
ADMINISTRATION, and FISCAL RESPONSIBILITY
McKnight Foundation Community
Project 2003
This project funded
workshops offered at the Paramount Arts District in collaboration with Philippe
Costaglioli and Ron Gregg to the St. Cloud community on music, poetry, and
video collaborations, culminating with a performance of participant's works at
the Paramount Theater, St. Cloud, MN. Additional support provided by the SCSU
Foundation.
SCSU Site Coordinator, Rural
Integration of Technology in Education (RITE) PT3 project 2000
- 2002
The RITE project was
a $1,500,000 Department of Education funded initiative to integrate the
preparation of pre-service teachers at four MnSCU campuses to effectively use
technology. As Site Coordinator, I prepared year long project plans, goals and
objectives, and designed and implemented assessment tools to improve the
effectiveness of our activities in education disciplines throughout the
university. I was responsible for the management of a local annual budget in
excess of $100,000 for three consecutive years
SCSU Site Secondary Areas
Project Coordinator, RITE PT3 project 1999
- 2000
Prior to assuming
the responsibilities as Site Coordinator, I developed activities that served
constituents from outside of the College of Education, which included
facilitating, designing, and delivering faculty training.
Director, St. Cloud State University
Music and Art Program in the Czech Republic 1999
As Director, I was
responsible for recruiting music and art students from St. Cloud State and
other universities, negotiating and managing a budget, and developing a
semester's activities, academic, and artistic experiences for student
participants in conjunction with the host university.
PROFESSIONAL SERVICE
Minnesota Music Teachers
Association (MMTA) Student Composition Contest Judge 2002
Minnesota State Arts Board
Panelist 2002,
2003
MNSOTA All-State Summer String
Teacher's Workshops, St. Cloud State University 2001
"Designing a
Web Page for Your Orchestra" and "Introduction to Finale Music
Notation Software."
Minnesota Public
Radio/Minnesota High School Music Listening Contest Regional Judge 1998
- 2000
Composer-in-residence, St.
Cloud State Music Department Prep School
1998 - 1999
Composer-consultant to St.
Francis Music Studios, St. Cloud, MN 1998
- 1999
Central Minnesota Arts Board
Artist Advisory Panel 1997
Curator, Sonic Circuits IV,
Sonic Circuits VI International Electronic Music Festivals 1996,
1998
College Music Society 36th
Annual National Convention, Minneapolis, MN 1993
Producer of the
multimedia and electroacoustic concerts
BIBLIOGRAPHY
Desmith, Christy.
"Avant-Garde Whatchamacallit Takes Over Studio Z. Zeitgeist and Scott
Miller Present a Multimedia Chameleon."City Pages 02
March 2005: 48. <http://citypages.com/databank/26/1265/article13021.asp>.
Zeitgeist: Shape Shifting:
Shades of Transformation by Juliet Patterson. MNartists.org. 09
June 2004. <mnartists.org/article.do?rid=41214>.
Beard, William Randall. Rev.
of "Shape Shifting: Shades of Transformation." Morning
Edition. 11 June 2004. Minnesota Public Radio. 11 June 2004.
<http://news.minnesota.publicradio.org/programs/morninged/listings/me20040607.shtml>.
Gehrke, Karl. "Shape
Shifting: Shades of Transformation." Backstage Pass. 03
June 2004, 05 June 2004. WCAL Classical 89.3.
Roberts, Chris. "St.
Cloud: My House is Your Breathing." Word of Mouth. 04
April 2003. Minnesota Public Radio.
<http://news.minnesota.publicradio.org/programs/wordofmouth/archive2003.shtml>.
Kohman, Liz. "Film
Project Fuses Art, Sound." St. Cloud Times 03
May 2003: 1C.
Bergquist, Kris. "A
Chance to See What Europe Concert Will Be." St. Cloud
Times 16 April 1998: 13E.
Ultan, Lloyd. "Electronic
Music." Encyclopedia of Computer Science and Technology, v.
34, supplement 19. 1996 ed.
Bergquist, Kris. "SCSU
Concert Gives Spotlight to Computers." St. Cloud Times 25
September 1996: 1B, 6B.
Bergquist, Kris. "Scott
L. Miller: Uses Computer Like Instrument." St. Cloud
Times 20 June 1996: 8E.
COMMISSIONS
Three Gestures
(2006); commissioned by Trio Montecino.
Chimera No. 2 (2006);
commissioned by Mlde Podim Festival.
Fun House
(2006); commissioned by Pat OKeefe.
Engines of...
(2005); commissioned by Maple Grove Senior High School Orchestra with support
of the Maple Grove Music Boosters.
Shape Shifting:
Shades of Transformation (2004); commissioned by Zeitgeist.
Underwritten by the American Composers Forum with funds provided by the Jerome
Foundation. Made possible with support from the Zeitgeist Commissioning
Collective.
Low Hangs the Moon
(2001); commissioned by Thomas Allen with support from the St. Cloud State
University Foundation.
Landscape
(2001); commissioned by St. Cloud State University Wind Ensemble.
Chimera
(2000); commissioned by Coca Bochonko.
Dies Sanctificatus
(1998); commissioned by the St. Cloud State University Choir.
Old Turtle
(1996); commissioned by James B. Van Demark, Bruce Wood, and Doug Wood.
Improvisational
Studies in Wood, Metal & String (1996); commissioned by Terry
Vermillion.
Metal Fatigue
(1995); commissioned by the 214th Army Ground Forces Band, Force Command,
Atlanta, Georgia.
Essay for Orchestra
and Tape (1994); commissioned by the Southeastern Minnesota
Youth Orchestra.
Angel of Progress
(1993); commissioned by Claudia Anderson, Richard Gloss and Mark Weiger.
Time is Vicious (if
you take it for granted) (1992); commissioned by The Double Reed
Ensemble of Iowa.
RECORDINGS
Shape Shifting:
Shades of Transformation, recorded on Shape
Shifting, Innova 638, featuring Zeitgeist and Philippe
Costaglioli.
Elegy,
recorded on Trio Montecino, Eroica JDT3196, featuring
David Shea, clarinet; Pablo Mahave-Veglia, violoncello; Paulina Zamora, piano.
Time is Vicious (if
you take it for granted), recorded on WIZARDS!, CRS
9460, by The Double Reed Ensemble of Iowa.
COMPOSITIONS (partial
listing)
Three Gestures 2006
Clarinet, cello, and
piano; duration: 10 minutes. Commissioned by Trio Montecino.
Some Fabric and a
Few Pieces of Bone 2006
Interactive work for
Kyma/Capybara, two (2) cardiod microphones, and (minimum) four (4) channel
diffusion of sound; duration: 6.5 minutes.
Chimera No. 2 2006
Violin and fixed
media electronics (CD); duration: 19 minutes. Commissioned by Mlade Podium Festival
for premier by violinist Iva Kramperov.
Fun House 2006
Bass Clarinet and
Interactive Electronics (Kyma/Capybara), two (2) cardiod microphones, and
(minimum) four (4) channel diffusion of sound; duration: 12 - 20 minutes. Commissioned
by and created in collaboration with Pat O'Keefe (bass clarinetist).
Engines of... 2005
String Orchestra and
Tape; approximate duration: 7 minutes. Commissioned by Maple Grove Senior High
School Orchestra with support of the Maple Grove Music Boosters.
elegant beast 2004
Interactive work for
Kyma/Capybara, two (2) cardiod microphones, and (minimum) four (4) channel
diffusion of sound; approximate duration: 6 minutes.
Opicus 2004
Interactive work for
Kyma/Capybara, two (2) cardiod microphones, and (minimum) four (4) channel
diffusion of sound; approximate duration: 8 minutes.
Shape Shifting:
Shades of Transformation 2004
Includes the works: Apne,
Mirror Inside, St. Victoire, Desire Also Has Its Own Geography, Dressing Up,
Jardins Mcaniques, Digging Space, Les Canns de la Sang, New Snow. Poet/performer,
interactive electronics, alto saxophone/bass clarinet, piano, percussion (2);
includes settings of Philippe Costaglioli's "Apne," "St.
Victoire," and "Dressing Up;" approximate duration: 65 - 70
minutes. Created in collaboration with Zeitgeist and Philippe Costaglioli.
My House is Your
Breathing 2003
DVD and performance
collection of collaborative works with Philippe Costaglioli (poet/performer)
and Ron Gregg (video artist), approximate duration: 30 minutes.
Our
Little Song of Ashes? 2003
Poet/performer and
video, also available as a video piece; setting of Philippe Costaglioli's
"Our Little Song of Ashes?", approximate duration: 6 minutes. Created
in collaboration with Philippe Costaglioli (poet/performer) and Ron Gregg
(video artist).
Self Portrait 2003
Poet/performer and
video, also available as a video piece; setting of Philippe Costaglioli's
"Self Portrait", approximate duration: 3 minutes. Created in
collaboration with Philippe Costaglioli (poet/performer) and Ron Gregg (video
artist).
Autumn Etude 2003
Poet/performer and
video, also available as a video piece; setting of Philippe Costaglioli's poems
"Atlntida ltima Ronda" and "Autumn Sonata," approximate
duration: 8 minutes. Created in collaboration with Philippe Costaglioli
(poet/performer) and Ron Gregg (video artist).
Moving In 2003
Poet/performer and
video, also available as a video piece; setting of Philippe Costaglioli's
"Moving In", approximate duration: 7 minutes. Created in
collaboration with Philippe Costaglioli (poet/performer) and Ron Gregg (video
artist) with support in part by the American Composers Forum through the 2001
McKnight Composer Fellowship Program.
Ghost Love: A Short
Novel 2002
Poet/performer,
percussion, Kyma/Capybara; setting of Philippe Costaglioli's poem of the same
title, approximate duration: 9 minutes. Composed in collaboration with Philippe
Costaglioli (poet/performer) and Terry Vermillion (percussion).
Last Words? 2002
Poet/performer and
video, also available as a video piece; setting of Philippe Costaglioli's
"Last Words?," approximate duration: 4 minutes. Composed in
collaboration with Philippe Costaglioli (poet/performer), and Jesse Zwack
(videographer).
Sarabanda (a.k.a
Sarabande) 2002
Poet/performer and
video, also available as a video piece; setting of Philippe Costaglioli's
"Sarabanda," approximate duration: 7 minutes. Composed in
collaboration with Philippe Costaglioli (poet/performer), Bill Gorcica
(multimedia) and Ron Gregg (videographer) with support from Minnesota State Arts
Board Artist Assistance Fellowship, Fiscal Year 2001 and supported in part by
the American Composers Forum through the 2001 McKnight Composer Fellowship
Program.
Tempest 2001
Poet/performer and
video, also available as a video piece; setting of Philippe Costaglioli's
"Tempest," approximate duration: 4 minutes. Composed in collaboration
with Philippe Costaglioli (poet/performer) and Ron Gregg (videographer) with
support from Minnesota State Arts Board Artist Assistance Fellowship, Fiscal
Year 2001 and supported in part by the American Composers Forum through the
2001 McKnight Composer Fellowship Program.
Landscape 2001
Created with support
from St. Cloud State University Scholarly and Creative Activity Reassign Time.
Wind ensemble and tape; approximate duration: 8 minutes.
Low Hangs the Moon 2001
Soprano, piano,
tape; setting of text from Walt Whitman's "Sea-drift: Out of the Cradle
Endlessly Rocking;" approximate duration: 7 minutes.
Chimera 2000
Viola and tape;
approximate duration: 7 minutes.
Eyes and Ears 1999
Created with support
of a St. Cloud State University Research Grant. Multimedia Installation created
in collaboration with visual artist William Gorcica.
Dies Sanctificatus 1998
Mixed choir and
tape; approximate duration: 7 minutes.
Time is the Fire in
Which We Burn 1997
Trombone and tape;
approximate duration: 8 minutes.
Indicate What You
Want (Polish Women Never Scream) 1997
Tape and five
dancers; approximate duration: 13 minutes. Choreographed by Gretchen Pick.
Dangerous When Wet 1997
Tape; approximate
duration: 25 minutes. Originally presented as part of a collaborative
performance art event with sculptor/installation artist Suzanne Kosmalski at
the SCSU Pool.
Improvisational
Studies in Wood, Metal & String 1996
Trap-set and
interactive computer/synthesizer, revised for percussion and tape; approximate
duration: 15 - 20 minutes.
Old Turtle 1996
Solo double bass,
narrator, orchestra; approximate duration: 17 minutes.
Elegy 1996
Created with support
of a St. Cloud State University Long-Term Grant. Violin, cello, piano;
approximate duration: 12 minutes. Recorded on Trio
Montecino, Eroica JDT3196, featuring David Shea, clarinet; Pablo
Mahave-Veglia, violoncello; Paulina Zamora, piano.
Solix 1995
Created as part of
Minnesota Dance Alliance/Minnesota Composers Forum Choreographer/Composer
Workshop. Tape and two dancers; approximate duration: 7 minutes. Choreographed
by Gretchen Pick.
Metal Fatigue 1995
2 piccolo trumpets,
4 trumpets, 2 flugelhorns; approximate duration: 5 minutes.
Essay for Orchestra
and Tape 1994
Children's orchestra
and taped electronics; approximate duration: 8 minutes.
Angel of Progress 1993
Flute, oboe, piano;
approximate duration: 12 minutes.
Time is Vicious (if
you take it for granted) 1992
Two oboes, english horn, bassoon; approximate duration: 5 minutes. Published by Jeann, Inc. Recorded on the Wizards' CRS Master Recordings CD (CRS 9460).